Category: Featured
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Season Premiere — Smallville, “Lazarus”

The premiere of Smallville‘s tenth(!) and final season is in a weird position. On one hand, this is the final season! By that I mean the writers should have no trouble moving towards the end of the story that we’ve all been waiting since 2001 for, the journey is almost completely. On the other hand, because…
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Season Premiere — Fringe, “Olivia”

Much has been made about Fringe‘s elevation from middling mythology series that leaned too heavily on the procedural to an impressive series full of innovative ideas and great, real characters. And for good reason, as the second half of season two was freaking fantastic and the two-part finale was the most confident I have ever…
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Season Premieres — Modern Family, “The Old Wagon” and Cougar Town, “All Mixed Up”

ABC’s two best comedies enter their second seasons with varying degrees of expectations. With all the critical hype and Emmy validation, Modern Family has been crowned as the new comedy king. Meanwhile, Cougar Town has grown in stature in the eyes of the critical community, but still isn’t seemingly as respected as its lead-in, particularly…
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Season Premiere — Glee, “Audition”

Like many critics and faux-critics, I had a number of issues with the back-nine of Glee‘s first season. And the events of the summer — additional cast members, more theme episodes and Ryan Murphy’s hyperbole about dialing it back — there wasn’t a lot to suggest things were going to improve. If there is any…
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Series Premiere — Lone Star, “Pilot”

Lone Star is, without question, the best broadcast drama pilot I’ve seen since Friday Night Lights‘ premiere back in 2006. That comparison is interesting (aside from the obvious inclusion of Adrianne Palicki in both casts and the Texas location), because while watching this episode, I felt some of the same feelings as I did when…
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Mad Men, “The Beautiful Girls”

The world of ’50s and ’60s advertising is certainly a boys club, and although things have been changing, particularly for Peggy, “The Beautiful Girls” goes a long way in suggesting that despite the advancements out in the world, the women of Sterling Cooper Draper Pryce are still being held down, either professionally or personally. A…
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Event pre-air musings: Haven’t we been down this road before?

On Monday, NBC’s much-publicized The Event debuts. I should be excited. The series wants to fill the void left by Lost and 24 by creating a dense, complicated thriller with a global scope and some sort of secret ongoing mythology. It features a ridiculously cryptic title and is powered by an effective/stupid advertising campaign, much…
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The Vampire Diaries, “Brave New World”

The action-packed Vampire Diaries premiere reminded us of how great the series can be when a lot of crazy things are happening. The second the episode, “Brave New World,” suggests that the series can also do more low-key, character-centric episodes as well. “Brave New World” is all about the aftermath of Katherine’s rampage in the…
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Sons of Anarchy, “Oiled”

After a gripping premiere full of characters taking action, “Oiled” is much more subdued and exposition-heavy, as Sons of Anarchy settles in with its multitude of plot lines for season three. And while the ending result is not as enjoyable as “So” last week, the more subdued approach here is necessary to move forward.




